The Grand Marnier Heiress, the Gravity Cellar & the Century-Old Hand
Casa Lapostolle is the Chilean chapter of one of France's most storied wine and spirits dynasties — founded in 1994 by Alexandra Marnier-Lapostolle and her husband Cyril de Bournet, great-granddaughter of the founder of Grand Marnier and sixth-generation custodian of a family tradition that began in France in 1827. Their discovery: a unique clos in the Apalta Valley sheltering 100-year-old pre-phylloxera vines — ungrafted, own-rooted, and planted with a French massal selection imported at the end of the 19th century. Their ambition: to produce an exceptional wine that would marry French winemaking philosophy with the superb terroirs of Chile. The result: Clos Apalta — the only South American wine ever named Wine Spectator Wine of the Year (2005 vintage, 2008), and a wine that has achieved 100 points from James Suckling four times (2014, 2015, 2017, 2021). Today, the estate spans 370 hectares across Colchagua, Casablanca, and Cachapoal, producing 200,000 cases annually under the stewardship of Charles de Bournet — seventh generation — and Andrea León, technical director and winemaker. The vineyards are organic and biodynamic, the old vines are dry-farmed, the grapes are hand-harvested and hand-destemmed, and the wine is made in a gravity-fed cellar carved 35 metres into granite rock — a seven-level architectural marvel where the only force moving the wine is the pull of the earth itself.
The Cognac Heiress, the Pre-Phylloxera Discovery & the French Hand
The story of Casa Lapostolle begins with the Marnier-Lapostolle family — one of France's most illustrious wine and spirits dynasties, whose name has been synonymous with Grand Marnier since Jean-Baptiste Lapostolle founded the distillery in 1827 in Neauphle-le-Château, near Paris. For six generations, the family produced cognac, liqueurs, and wines, building a legacy of quality and refinement that crossed oceans and centuries. In 1994, Alexandra Marnier-Lapostolle — great-granddaughter of the founder and sixth-generation custodian — and her husband Cyril de Bournet made a decision that would alter the trajectory of both their family and Chilean wine: they would leave France and seek a new terroir in the New World.
They found it in Apalta — a horseshoe-shaped valley tucked into the Colchagua Valley, 170 kilometres southwest of Santiago. What they discovered there was extraordinary: a unique clos sheltering 100-year-old pre-phylloxera vines — Cabernet Sauvignon and Carménère — planted between 1907 and 1945 with a French massal selection imported at the end of the 19th century. Because Chile's natural barriers — the Andes, the Pacific, the Atacama Desert, and ancient glaciers — had isolated the country from the phylloxera plague that devastated European vineyards, these vines had survived ungrafted, on their own roots, for over a century. Alexandra and Cyril immediately recognised the potential. They acquired the property and embarked on their family's next chapter, bringing generations of French winemaking tradition to the rugged landscape of Chile.
The early years were not without challenges. The workers in the vineyards were appalled and resistant when asked to thin grape bunches from the vine — a practice essential for concentrating flavours and ensuring ripeness. But Alexandra persisted, guided by the family's credo: "French in essence, Chilean by birth." She brought in Michel Rolland — the world-renowned Bordeaux consultant — to oversee the winemaking programme. She hired Andrea León — a Chilean winemaker with a degree in environmental biology and experience in France, Italy, the United States, and New Zealand — who joined as an assistant winemaker in 2004 and would rise to become technical director. And in 2005, the family completed their gravity-fed winery — a seven-level architectural marvel carved 35 metres into granite rock — where the only force moving the wine from grape reception to bottling is gravity itself. By 2008, the 2005 vintage of Clos Apalta was named Wine Spectator Wine of the Year — the first and only South American wine ever to receive that honour. What started as a French family's adventure in 1994 had become a global benchmark for Chilean fine wine.
"From the beginning of this journey, we have striven for perfection. During project development, other stocks were planted beside the old vines, according to the best layout which was discovered first in Chile. This includes foothill plantations with a high density of 6,600 plants per hectare and constrained yields with a production of 45 hectolitres per hectare, equivalent to that of Bordeaux."
— Jacques Begarie, Technical Director, Clos Apalta
Apalta — The Poor Soil, the Granite Amphitheatre & the Century-Old Hand
The heart of Casa Lapostolle is not the winery in Cunaco, Santa Cruz — though that is where the modern facility stands. The heart is seven kilometres away, in El Condor de Apalta — the site of the famous Clos. Here, in a horseshoe-shaped valley enclosed by the hills of the Coastal Cordillera, lies one of the most extraordinary vineyard sites in the New World. The name Apalta means "poor soil" or "bad place" in Spanish — a humble description for a terroir of rare complexity. The soils are decomposing granite — granitic sands, clay, quartz, and weathered bedrock — with a structural quality that creates natural water reservoirs, allowing the old vines to survive without irrigation. The vineyard's southeast exposure is quite rare in Colchagua; it limits sunshine and protects the vines from the intense afternoon sun, while the Tinguiririca River and the surrounding foothills create a microclimate of extreme thermal oscillation that favours the accumulation of anthocyanins and the development of deep, rich colour and natural acidity.
The Clos Apalta vineyard is a mosaic of terroirs — more than 16 different soil types across elevations ranging from 185 to 385 metres above sea level. The oldest plots, planted between 1915 and 1920, contain 40 hectares of pied franc (ungrafted vines) averaging 80 years old — some of the oldest Cabernet Sauvignon and Carménère vines in Chile, if not the world. These are complemented by younger plantings from 1997-2000 and 2005-2012, all at high density (6,600-6,666 plants per hectare) with constrained yields of 40-45 hectolitres per hectare — equivalent to Bordeaux. The estate protects hundreds of hectares of native Chilean flora in the surrounding hills, increasing biodiversity and creating a natural buffer between the vineyard and the outside world. The entire property is farmed organically and biodynamically, with dry farming for the old vines, hand harvesting, and hand destemming — no machine touches the grapes.
Beyond Apalta, Lapostolle's vineyards extend into the Casablanca and Cachapoal valleys, giving the estate a geographic diversity that spans cool coastal sites and warm interior slopes. The Casablanca Valley provides the cool-climate conditions for Sauvignon Blanc and Chardonnay — bright, zesty wines with vibrant acidity. The Cachapoal Valley adds further dimension for red varieties. But it is Apalta that remains the soul of the project — a Designation of Origin recognised in 2018, a place where the shadow of the mountains does the vines a favour by cooling and slowing ripening, where the granitic soils impart a mineral, almost Burgundian transparency, and where century-old vines produce grapes of such concentration and complexity that they have redefined what the world expects from Chilean wine.
El Condor de Apalta is the spiritual and practical centre of Casa Lapostolle — a 160-hectare property in the horseshoe-shaped Apalta Valley where 48 to 53 hectares are selected each year for the production of Clos Apalta. The vineyard is laid amphitheatrically, with a southeast exposure that limits sunshine and protects the old vines from extreme heat. The soils are decomposing granite — granitic sands, clay, and quartz — with a natural water reservoir created by weathering clays that allows dry farming. The oldest plots were planted between 1915 and 1920 with a French massal selection; the vines are ungrafted, own-rooted, and average 80 years old. High-density planting at 6,600 plants per hectare and constrained yields of 40-45 hL/ha produce grapes of exceptional concentration. This is not just a vineyard; it is a living museum of pre-phylloxera viticulture in the New World.
The Clos Apalta winery is an architectural marvel completed in 2005 — a seven-level structure carved 35 metres into the granite rock of the Apalta Valley. The design is deliberately gravity-fed: grapes arrive at the top level and move down through fermentation, ageing, and bottling without a single pump, preserving the integrity of the fruit and the delicacy of the wine. The massive display of exposed granite in the wine library demonstrates the intention to connect man and nature. Tall wood posts frame views across the Colchagua Valley. The cellar is powered by natural temperature control — the granite acts as a thermal mass, maintaining stable conditions year-round. This is not industrial winemaking; it is winemaking as architecture, where the building itself is an instrument of terroir expression.
Lapostolle's 370 hectares span three of Chile's most important wine valleys: Colchagua (Apalta), Casablanca, and Cachapoal. This geographic diversity is a deliberate strategy to capture the full spectrum of Chilean terroir. Apalta provides the granitic, warm, sheltered conditions for Carménère, Cabernet Sauvignon, and Merlot. Casablanca provides the cool, coastal fog and high luminosity for Sauvignon Blanc and Chardonnay. Cachapoal adds further red wine dimension. Together, these three valleys give Lapostolle a palette of soils, climates, and exposures that is rare for a single estate — and all of them are farmed organically, with biodiversity protection, composting, and natural water treatment.
Lapostolle's commitment to sustainability is not recent; it has been part of the philosophy since 1994. The estate vineyards are tended according to organic and biodynamic practices — certified by Ceres and Demeter, though the team has moved toward a more holistic, scientifically informed approach in recent years. The old vines are dry-farmed. The fruit is harvested by hand and destemmed by hand — no machine is used. The estate protects hundreds of hectares of native Chilean flora, increases biodiversity through cover crops and natural corridors, follows a strict waste reduction program, and composts all grape skins and stalks. The winery uses natural water treatment processes, saves energy through minimal filtering and limited chill stabilisation, and has achieved CarbonNeutral certification. In 2022, Lapostolle received the Wines of Chile certification for Sustainability. This is not marketing; it is stewardship inherited from a French family that has been making wine for nearly two centuries.
The Manual Punch-Down, the Indigenous Yeast & the Gravity Hand
Lapostolle's winemaking is guided by a philosophy that is both ancient and radical: the belief that the best wine is the one that expresses its terroir with the greatest possible fidelity, and that the only way to achieve that is through meticulous vineyard work, minimal intervention in the cellar, and the patience to let old vines speak. The grapes are hand-harvested from vineyards that have been farmed organically and biodynamically for decades. They are hand-destemmed — no machine is used to remove the berries from their stems, ensuring that only the gentlest pressure touches the fruit. Fermentations are carried out with indigenous yeasts — no commercial inoculation, capturing the microbial fingerprint of the granitic Apalta soils. The winemaking is low-intervention but highly precise: the goal is not to make natural wine in the unfined, unfiltered sense, but to make clean, precise, terroir-driven wine that reflects the health of century-old vines.
The cellar arsenal is deliberately chosen to preserve, not mask. French oak vats and barrels — 75-hectolitre vats for fermentation, new and second-use barrels for ageing — provide structure and micro-oxygenation. For Clos Apalta, the maceration lasts 4 to 6 weeks with manual punch-down — a labour-intensive process that extracts colour and tannins gently, without the harshness of mechanical pumping. The wine is neither fined nor filtered — or minimally filtered where necessary — preserving the natural texture and microbial complexity that comes from healthy, old-vine grapes. Malolactic fermentation occurs in new French oak barrels. The ageing period varies by vintage: 21 to 26 months in French oak, with a careful balance between new and second-use barrels calibrated to each year's fruit. The result is a wine of extraordinary depth, concentration, and elegance — full-bodied but never heavy, rich but always fresh.
The same philosophy extends across the entire portfolio. The Cuvée Alexandre range — named after Alexandra Marnier-Lapostolle — uses hand-harvested fruit from organically farmed vineyards, native yeasts, and French oak ageing to produce wines of excellent quality that fully express their terroir. The Grand Selection line — the entry point — is made with the same attention to sustainability, using organically grown grapes and environmentally responsible practices. The Le Rosé is a classic Southern French blend of Cinsault, Syrah, Grenache, and Mourvèdre, made with the same precision as the reds. All of this is part of a philosophy that holds quality, tradition, and environmental respect as inseparable. The result is a portfolio of wines that range from the icon Clos Apalta to the everyday Grand Selection, all sharing the same organic foundation, the same respect for the three valleys, and the same belief that the best wines come from the healthiest, oldest ecosystems.
The Gravity & Granite Covenant
The guiding principle of Lapostolle's cellar is that the best wine is the one that needs the least artifice. The gravity-fed winery — carved 35 metres into granite — ensures that the wine never suffers the trauma of pumping, preserving the delicate phenolic structure of old-vine Carménère and Cabernet Sauvignon. The indigenous yeasts capture the microbial fingerprint of the Apalta granitic soils — the wild yeasts that have lived on the skins of ungrafted vines for over a century. The manual punch-down extracts colour and tannins with gentleness that no machine can replicate. The hand-destemming ensures that only whole, unbroken berries enter the fermentation vats. The absence of synthetic chemicals in the vineyard means the grapes arrive at the cellar with their own natural defences intact — healthy skins, balanced acidity, and concentrated flavours. The minimal filtration keeps the wine's natural body and aromatic intensity. The granite walls provide natural temperature regulation, eliminating the need for energy-intensive cooling. The composting of grape skins and stalks closes the loop between vineyard and cellar. This is not industrial winemaking; it is winemaking as stewardship — a belief that the winery's responsibility extends from the bottle back to the soil, the vine, and the century-old roots that make it all possible.
Clos Apalta, La Parcelle 8, Cuvée Alexandre & the Three-Valley Hand
The Lapostolle portfolio is broad, deep, and entirely quality-driven — a range of wines that spans from the icon Clos Apalta to the approachable Grand Selection, each one sharing the same organic foundation and the same commitment to terroir. The Clos Apalta is the icon — the maximum expression of the Apalta Valley, a Bordeaux-style blend where Carménère dominates, and the only South American wine ever named Wine Spectator Wine of the Year. The La Parcelle 8 is the old-vine expression — 100% Cabernet Sauvignon from vines planted in 1907, ungrafted and dry-farmed, a wine of bark, mushroom, and blackberry that tells the story of a century in every glass. The Cuvée Alexandre is the premium range — named after the founder, made from hand-harvested organic fruit across the estate, expressing the character of each variety and valley with precision and elegance. The Le Petit Clos is the second wine — the younger sibling of the icon, made with the same care but designed for earlier enjoyment. The Grand Selection is the entry-level — honest, fruit-forward wines that carry the same environmental commitment as the icon wines. All are made with indigenous yeasts, minimal intervention, and a deep respect for the three valleys and the century-old vines that give them life.
The Wine Spectator Wine of the Year, the Four 100-Point Wines & the Century-Old Hand
Casa Lapostolle is not merely a winery; it is a bridge between two worlds realised — the story of how a French family, heirs to the Grand Marnier dynasty, left France in 1994 and discovered a unique clos in Chile sheltering 100-year-old pre-phylloxera vines, then built a gravity-fed cellar carved into granite and produced Clos Apalta — the only South American wine ever named Wine Spectator Wine of the Year, a four-time 100-point wine, and the wine that proved Chile could stand among the world's greatest terroirs. In an era when Chilean wine was defined by value pricing and homogenised flavour, the Marnier-Lapostolle family demonstrated that the most profound wines sometimes come from 370 hectares of organic vineyards, from century-old ungrafted vines dry-farmed in granitic soil, from hand-destemmed grapes fermented with indigenous yeasts, from a gravity cellar where the only force is the pull of the earth, and from a belief that French philosophy and Chilean terroir are not opposites but partners. It is largely thanks to Lapostolle that Chilean Carménère, Apalta Valley, and gravity-fed winemaking now have a place in the global fine wine conversation. The same valley that was once called "poor soil" has become, through their work, the source of one of the most iconic wines in the world.
The legacy of Lapostolle is the legacy of the French hand in service of the Chilean earth. The Marnier-Lapostolle and de Bournet families are not typical Chilean winery founders: they are a French spirits dynasty who chose to build something new in the New World, who discovered century-old pre-phylloxera vines that even the Chileans had not fully understood, who dry-farmed ungrafted vines when irrigation was the norm, who hand-destemmed grapes when machines were cheaper, who carved a gravity cellar 35 metres into granite when pumps were standard, who achieved four 100-point scores and Wine Spectator Wine of the Year when Chile was dismissed as a value producer, and who believe that the best wine is the one that improves with age, patience, and respect for the vine. They do not chase trends. They do not chase volume. They make wines that range from the icon Clos Apalta to the everyday Grand Selection — and they make them all with the same organic foundation, the same biodynamic patience, and the same family commitment to quality that has defined the Lapostolle name since 1827. The seventh generation — Charles de Bournet — now leads the winery, ensuring that the bridge between France and Chile, between tradition and innovation, between century-old vines and modern stewardship, remains as strong as the granite into which their cellar is carved.
The future of the project is tied to the future of old-vine preservation, regenerative agriculture, and the protection of Chile's wine valleys as living museums of pre-phylloxera viticulture — to the growing recognition that the best wines come not from the most heavily mechanised vineyards but from the most committed guardians of soil health, biodiversity, and historical vine heritage. As Clos Apalta continues to set the benchmark for Chilean icon wine on the world stage, as La Parcelle 8 proves that 100-year-old Cabernet Sauvignon can achieve the same depth as the great wines of Bordeaux, as the Cuvée Alexandre range demonstrates that Carménère and Cabernet Sauvignon can be both varietally pure and terroir-expressive when farmed organically on granite, and as the Grand Selection shows that certified organic wine can be both affordable and excellent, the Marnier-Lapostolle family remains what they have always intended to be: stewards of a century — a family who trusted the poor soil of Apalta, the century-old vines of El Condor, and the patient hand of gravity, and who built something enduring that bridges two continents. The movement is not finished. It is just beginning to vine.
"What a stunning nose of crushed berries, fresh flowers, sandalwood and light vineyard dust. Black olives, too. Very complex. Full-bodied with a beautiful, dense palate of blackberries, chocolate, walnuts and cigar box. Fantastic length and composure. The tannin just rolls over the palate. Very structured. The most classically structured wine ever from here. Goes on for minutes. Outrageous and so polished."
— James Suckling, on Clos Apalta 2017 (100 Points)

